{"id":385,"date":"2013-12-05T14:30:03","date_gmt":"2013-12-05T13:30:03","guid":{"rendered":"http:\/\/muralism0contemporane0uruguay0.blogs.upv.es\/?p=385"},"modified":"2013-12-05T20:33:56","modified_gmt":"2013-12-05T19:33:56","slug":"fase-de-estudios-previos-del-muralismo-uruguayo-uruguay-abril-2011-2","status":"publish","type":"post","link":"https:\/\/muralandscapes.webs.upv.es\/?p=385","title":{"rendered":"Fase de estudios previos del muralismo uruguayo. Uruguay, Abril 2011"},"content":{"rendered":"<p style=\"text-align: justify\">En el transcurso de la 1\u00aa fase de catalogaci\u00f3n, desarrollada en Abril de 2011, se realiz\u00f3 el estudi\u00f3 In situ de 7 pinturas murales repartidas por Montevideo, Colonia del Sacramento y Florida.<\/p>\n<p><a href=\"http:\/\/muralism0contemporane0uruguay0.blogs.upv.es\/files\/2013\/12\/te.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-383 aligncenter\" alt=\"te\" src=\"http:\/\/muralism0contemporane0uruguay0.blogs.upv.es\/files\/2013\/12\/te-300x60.jpg\" width=\"300\" height=\"60\" srcset=\"https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/te-300x60.jpg 300w, https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/te-400x80.jpg 400w, https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/te.jpg 547w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: justify\"><!--more--><\/p>\n<p style=\"text-align: justify\">Las labores de estudio de los murales y su estado de conservaci\u00f3n fueron estructuradas en diversos registros realizados de manera paralela y coordinada.<\/p>\n<p style=\"text-align: justify\">Las fases de estudio se estructuraron de la siguiente manera:<\/p>\n<p style=\"text-align: justify\"><strong>Estudio organol\u00e9ptico:<\/strong><\/p>\n<ul style=\"text-align: justify\">\n<li style=\"text-align: justify\">Estudio visual de la superficie y estructura pict\u00f3rica<\/li>\n<li style=\"text-align: justify\"><span style=\"text-align: justify\">Valoraci\u00f3n inicial del estado de conservaci\u00f3n del mural<\/span><\/li>\n<li style=\"text-align: justify\"><span style=\"text-align: justify\">Determinaci\u00f3n de tomas fotogr\u00e1ficas, tomas colorim\u00e9tricas o toma de muestras.<\/span><\/li>\n<\/ul>\n<p style=\"text-align: justify\"><strong>Medici\u00f3n de par\u00e1metros medioambientales<\/strong> del entorno del mural como humedad relativa (HR%), T\u00aa (\u00baC), Iluminaci\u00f3n (Lux), medici\u00f3n ac\u00fastica (dB)<\/p>\n<p style=\"text-align: justify\"><strong>Registro fotogr\u00e1fico<\/strong><\/p>\n<ul style=\"text-align: justify\">\n<li>Fotograf\u00eda con luz visible: Realizaci\u00f3n de tomas fotogr\u00e1ficas en luz visible, macrofotograf\u00eda, imagen con luz rasante: Registro superficial de la obra.<\/li>\n<li><span style=\"text-align: justify\">Fotograf\u00eda de radiaci\u00f3n no visible: Fotograf\u00eda ultravioleta e infrarroja para el registro y observaci\u00f3n del repinte<\/span><\/li>\n<\/ul>\n<p style=\"text-align: justify\"><strong>Registro colorim\u00e9trico<\/strong><\/p>\n<p style=\"text-align: justify\">Medici\u00f3n del color. La caracterizaci\u00f3n colorim\u00e9trica fu\u00e9 obtenida mediante espectrofotometr\u00eda visible. Los datos obtenidos servir\u00e1n de referencia a futuras mediciones que pudieran hacerse en el mural con el fin de registrar un posible deterioro del color.<\/p>\n<p style=\"text-align: justify\"><strong>Toma de muestras y estudio fisicoqu\u00edmico de pigmentos<\/strong><\/p>\n<p style=\"text-align: justify\">Registro de estratos pict\u00f3ricos mediante microfotograf\u00eda y posterior caracterizaci\u00f3n fisicoqu\u00edmica de los pigmentos presentes en la pintura mural.<\/p>\n<p style=\"text-align: justify\">Aqu\u00ed os mostramos los murales, que en Abril de 2011, fueron estudiados por el equipo de catalogaci\u00f3n durante su estancia en Uruguay.<\/p>\n<p style=\"text-align: justify\"><span style=\"text-decoration: underline\"><strong>Montevideo<\/strong><\/span><\/p>\n<p style=\"text-align: justify\">1. <em>Labores del ANCAP<\/em>, 1947. Carlos Gonz\u00e1lez y Luis Mazzey. Edificio ANCAP<br \/>\n2. <em>La mujer como compa\u00f1era del hombre<\/em>, 1941. Demetrio Urruch\u00faa. Pintura al Fresco. Biblioteca del IPA<br \/>\n3. <em>Ciudad<\/em>, 1944. Alceu Ribeiro. Pabell\u00f3n Martirene. Hospital Saint Bois<br \/>\n4. <em>Entrop\u00eda<\/em>, 1988. Miguel \u00c1ngel Battegazzore. Fachada exterior Cuartel de Bomberos. C\/ Magallanes con Colonia.<br \/>\n5. <em>Obreros de la construcci\u00f3n<\/em>, 1964. Esteban Garino. Facultad de ciencias sociales. Universidad de la Rep\u00fablica<\/p>\n<p style=\"text-align: justify\"><strong><span style=\"text-decoration: underline\">Colonia del Sacramento<\/span><\/strong><\/p>\n<p style=\"text-align: justify\">6. <em>Alegor\u00eda al trabajo<\/em>, 1936. Felipe Seade. Sal\u00f3n n\u00ba1 de la casa de la Cultura de Colonia del Sacramento. Repintado por Dardo Ingold en 1981<\/p>\n<p style=\"text-align: justify\"><span style=\"text-decoration: underline\"><strong>Florida<\/strong><\/span><\/p>\n<p style=\"text-align: justify\">7. <em>La Marcha del Pueblo a la piedra alta<\/em>, 1939. Felipe Seade. Liceo n\u00ba2 Andr\u00e9s Mart\u00ednez Trueba. Florida<\/p>\n<div id=\"attachment_380\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/muralism0contemporane0uruguay0.blogs.upv.es\/files\/2013\/12\/DSC1537-perpect.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-380\" class=\"size-medium wp-image-380\" alt=\"Labores del ANCAP, 1947. Carlos Gonzales y Luis Mazzey\" src=\"http:\/\/muralism0contemporane0uruguay0.blogs.upv.es\/files\/2013\/12\/DSC1537-perpect-300x240.jpg\" width=\"300\" height=\"240\" srcset=\"https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/DSC1537-perpect-300x240.jpg 300w, https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/DSC1537-perpect-1024x821.jpg 1024w, https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/DSC1537-perpect-400x321.jpg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-380\" class=\"wp-caption-text\"><em>Labores del ANCAP<\/em>, 1947. Carlos Gonz\u00e1lez y Luis Mazzey<\/p><\/div>\n<div id=\"attachment_387\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/muralism0contemporane0uruguay0.blogs.upv.es\/files\/2013\/12\/ipa.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-387\" class=\"size-medium wp-image-387\" alt=\"La mujer como compa\u00f1era del hombre, 1941. Demetrio Urruch\u00faa\" src=\"http:\/\/muralism0contemporane0uruguay0.blogs.upv.es\/files\/2013\/12\/ipa-300x199.jpg\" width=\"300\" height=\"199\" srcset=\"https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/ipa-300x199.jpg 300w, https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/ipa-1024x682.jpg 1024w, https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/ipa-400x266.jpg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-387\" class=\"wp-caption-text\"><em>La mujer como compa\u00f1era del hombre<\/em>, 1941. Demetrio Urruch\u00faa<a style=\"font-size: 13px;line-height: 19px\" href=\"http:\/\/muralism0contemporane0uruguay0.blogs.upv.es\/files\/2013\/12\/ipa1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-378\" alt=\"La mujer como compa\u00f1era del hombre, 1941. Demetrio Urruch\u00faa\" src=\"http:\/\/muralism0contemporane0uruguay0.blogs.upv.es\/files\/2013\/12\/ipa1-300x48.jpg\" width=\"300\" height=\"48\" srcset=\"https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/ipa1-300x48.jpg 300w, https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/ipa1-400x65.jpg 400w, https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/ipa1.jpg 824w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p><\/div>\n<div id=\"attachment_388\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/muralism0contemporane0uruguay0.blogs.upv.es\/files\/2013\/12\/Saint-Bois.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-388\" class=\"size-medium wp-image-388\" alt=\"Ciudad, 1944. Alceu Ribeiro.\" src=\"http:\/\/muralism0contemporane0uruguay0.blogs.upv.es\/files\/2013\/12\/Saint-Bois-300x118.jpg\" width=\"300\" height=\"118\" srcset=\"https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/Saint-Bois-300x118.jpg 300w, https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/Saint-Bois-1024x405.jpg 1024w, https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/Saint-Bois-400x158.jpg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-388\" class=\"wp-caption-text\"><em>Ciudad,<\/em> 1944. Alceu Ribeiro.<\/p><\/div>\n<div id=\"attachment_384\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/muralism0contemporane0uruguay0.blogs.upv.es\/files\/2013\/12\/BOM-UBICACI\u00d3N.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-384\" class=\"size-medium wp-image-384\" alt=\"Entrop\u00eda, 1988. Miguel \u00c1ngel Battegazzore\" src=\"http:\/\/muralism0contemporane0uruguay0.blogs.upv.es\/files\/2013\/12\/BOM-UBICACI\u00d3N-300x237.jpg\" width=\"300\" height=\"237\" srcset=\"https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/BOM-UBICACI\u00d3N-300x237.jpg 300w, https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/BOM-UBICACI\u00d3N.jpg 320w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-384\" class=\"wp-caption-text\"><em>Entrop\u00eda<\/em>, 1988. Miguel \u00c1ngel Battegazzore<\/p><\/div>\n<div id=\"attachment_381\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/muralism0contemporane0uruguay0.blogs.upv.es\/files\/2013\/12\/ccss-mural-total-sin-marco.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-381\" class=\"size-medium wp-image-381\" alt=\"Obreros de la construcci\u00f3n, 1964. Esteban Garino\" src=\"http:\/\/muralism0contemporane0uruguay0.blogs.upv.es\/files\/2013\/12\/ccss-mural-total-sin-marco-300x79.jpg\" width=\"300\" height=\"79\" srcset=\"https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/ccss-mural-total-sin-marco-300x79.jpg 300w, https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/ccss-mural-total-sin-marco-1024x271.jpg 1024w, https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/ccss-mural-total-sin-marco-400x105.jpg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-381\" class=\"wp-caption-text\"><em>Obreros de la construcci\u00f3n<\/em>, 1964. Esteban Garino<\/p><\/div>\n<div id=\"attachment_382\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/muralism0contemporane0uruguay0.blogs.upv.es\/files\/2013\/12\/Mural-Alegoria-al-trabajo-base-mapas.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-382\" class=\"size-medium wp-image-382\" alt=\"Alegor\u00eda al trabajo, 1936. Felipe Seade\" src=\"http:\/\/muralism0contemporane0uruguay0.blogs.upv.es\/files\/2013\/12\/Mural-Alegoria-al-trabajo-base-mapas-300x261.jpg\" width=\"300\" height=\"261\" srcset=\"https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/Mural-Alegoria-al-trabajo-base-mapas-300x261.jpg 300w, https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/Mural-Alegoria-al-trabajo-base-mapas-1024x892.jpg 1024w, https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/Mural-Alegoria-al-trabajo-base-mapas-400x348.jpg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-382\" class=\"wp-caption-text\"><em>Alegor\u00eda al trabajo<\/em>, 1936. Felipe Seade<\/p><\/div>\n<div id=\"attachment_386\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/muralism0contemporane0uruguay0.blogs.upv.es\/files\/2013\/12\/DSC_0152.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-386\" class=\"size-medium wp-image-386\" alt=\"La Marcha del Pueblo a la piedra alta, 1939. Felipe Seade.\" src=\"http:\/\/muralism0contemporane0uruguay0.blogs.upv.es\/files\/2013\/12\/DSC_0152-300x200.jpg\" width=\"300\" height=\"200\" srcset=\"https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/DSC_0152-300x200.jpg 300w, https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/DSC_0152-1024x685.jpg 1024w, https:\/\/muralandscapes.webs.upv.es\/wp-content\/uploads\/2013\/12\/DSC_0152-400x267.jpg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-386\" class=\"wp-caption-text\">Detalle <em>La Marcha del Pueblo a la piedra alta<\/em>, 1939. Felipe Seade.<\/p><\/div>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p class=\"excerpt\">En el transcurso de la 1\u00aa fase de catalogaci\u00f3n, desarrollada en Abril de 2011, se realiz\u00f3 el estudi\u00f3 In situ de 7 pinturas murales repartidas por Montevideo, Colonia del Sacramento y Florida.<\/p>\n<p class=\"more-link-p\"><a class=\"btn btn-default\" href=\"https:\/\/muralandscapes.webs.upv.es\/?p=385\">Read more<\/a><\/p>\n<p><!-- AddThis Advanced Settings generic via filter on wp_trim_excerpt --><!-- AddThis Share Buttons generic via filter on wp_trim_excerpt --><\/p>\n","protected":false},"author":32175,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[440316,440315,440085,75],"tags":[],"class_list":["post-385","post","type-post","status-publish","format-standard","hentry","category-catalogacion","category-inventariado","category-muralismo","category-turismo"],"_links":{"self":[{"href":"https:\/\/muralandscapes.webs.upv.es\/index.php?rest_route=\/wp\/v2\/posts\/385","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/muralandscapes.webs.upv.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/muralandscapes.webs.upv.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/muralandscapes.webs.upv.es\/index.php?rest_route=\/wp\/v2\/users\/32175"}],"replies":[{"embeddable":true,"href":"https:\/\/muralandscapes.webs.upv.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=385"}],"version-history":[{"count":0,"href":"https:\/\/muralandscapes.webs.upv.es\/index.php?rest_route=\/wp\/v2\/posts\/385\/revisions"}],"wp:attachment":[{"href":"https:\/\/muralandscapes.webs.upv.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=385"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/muralandscapes.webs.upv.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=385"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/muralandscapes.webs.upv.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}